Composition

It has taken some time, but I finally finished recording and editing a video for the last movement of The Divine Office.  I remember when writing this work facing a difficult decision: should I keep the contemplative nature of the offices, as one might actually experience or do I follow the logical conclusion of a multi-movement … More Composition

Composition

Apparently, I have been sitting on this recording for a whole year!  A few evenings ago, I spent some time finishing up my recordings of the Divine Office and I did not even realize that I had not posted the seventh movement, Vespers.  And here it is! In retrospect, I am happy that I get … More Composition

Composition

Greetings friends!  It has been about two months since I have posted something and much of that has to do with life, the universe, and not getting a good a proper recording done.  It is also coupled with that I am trying to get a recording from another organ and space as I have been … More Composition

Composition

This is the final piece in the Interludes for piano – a series of works devised for my music theory teaching.  The last movement contains one of my earliest ideas – during the B section.  Somewhere in my old files is a bunch of scherzo sketches that never amounted to a work.  The B section … More Composition

Composition

The fifth piece in these (free!) piano interludes is perhaps the most obvious in its form: namely, ternary.  I never had the chance to use this in a classroom setting but I am really happy with the B middle section, which is a two voice fugue.  I wrote this fugue for this piece because I … More Composition

Composition

This particular Interlude, one I would call a valiant attempt, is supposed to be in rondo form.  As I have stated in previous posts, these Interludes were composed with the a teaching element in mind.  The problem with rondo form is that it is usually a larger scale form, one that cannot simply be put … More Composition

Composition

The third Interlude in this series is the earliest written.  Just as the other Interludes incorporated elements taught in a theory curriculum for both written and aural theory 3, this one too does as well.  The element prominently used is of course the metric modulation.  There are some harmonic elements typical of later 19th century … More Composition